i think a couple hits of acid are called for.
Dude, it's not Laser Floyd.
lefty
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i think a couple hits of acid are called for.
Dude, it's not Laser Floyd.
the thin red line is fuckin' great. that scene where in the middle of the rising tension of the conflict, (marines pinned down on a hill, knowing it would be pretty much suicidal to attack the emplacement at the top, as their commander insists..)... and the camera focuses on the wind blowing through the long grass. unforgettable cinema.
I think people are confused as to what makes a movie good, or even great.
^ yup, exactly, or say bunuel, david lynch, or any of countless others, who've done far more to develop cinema as a form than any number of well-plotted generic movies. with all respect i think its you who's stuck in an often boring, reactionary framework.
As meaningless as it may or may not be, Tree of Life just won the Palm d'Or.
I won one of those two. Was "Tree of Life" as much of a masterpiece as my magnum opus?
As I said, it may or may not be meaningless - but If I made a movie, I'd rather have it win one than not.
Eh, I dunno. Didn't do **** for The White Ribbon a few years ago. Played on double digit screens stateside. Wonderful film. Distros have to WANT to sell it, and winning at Cannes helps, but not that much... Of course, with names like Pitt and Penn attached - I think ToL won't have that problem. IMO, the more films above the lowest common denominator we have playing in theaters the better.
It'll probably still never make it to Winnipeg.
As meaningless as it may or may not be, Tree of Life just won the Palm d'Or.