w.o.e.is.me.
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I suggest an oscar category for best male suit collar given the obvious public interest in these matters
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I suggest an oscar category for best male suit collar given the obvious public interest in these matters
Was his coat cut for dance? Jeffreyd wrote an interesting post about cutting a coat for ballroom dance. http://tuttofattoamano.blogspot.com/...-mobility.htmlI highly recommend that you watch a clip from the musical "The Band Wagon". starring Fred Astaire. It can be found on YouTube under the title "Steppin' out with my baby" Fred Astaire (I'm sorry I do not know how to post the link.) This has the justly famous slow motion sequence towards the end of the number. It shows Astaire's matchless artistry of course as well as a suit coat that barely moves throughout the entire number. It is well worth watching.
We spend most of our time with our arms to our sides and so normal suit sleeves are fitted for this posture. If you lift your arm out as if you were dancing the coat will lift a bit; a ballroom dancer's coat is cut so that the cap is very short and the underarm length is much longer- it looks good with the arm extended, since this is the predominant posture for this type of activity, but with the arms to the sides they are dreadful. Had I been able to show this to my client I am sure he would have changed his mind- he does not go through life with his arms extended out. He would be able to hail a taxi and his coat would not move, but how many hours of the day does one hail a taxi versus the number of hours the arms are by the sides?
Bump - good interview with the costume designer here.
GQ.com: Jenny Beavan told us you were heavily involved in the costumes. What were you particularly keen to get right? Tom Hooper: The real King George VI looked slight, small and awkward. Colin is a strapping lad of 6' 3", has worked with Tom Ford and when he puts on clothes tends to look pretty buff. The hardest thing is that you're trying to create that silhouette with Colin that implies that lack of confidence, anxiety in the body and almost a sort of geekiness that the real king has. Yet of course at the same time royal tailoring would have been the best in the world and he would have looked impeccable. We looked at whether there were tiny adjustments to the fit that we could make to see whether we could get the impression that they were well-tailored but worn uneasily. The other thing was my obsession with avoiding too much "royals dressed as you think they must be". The classic example is the opening of the film, where [screenplay author] David Seidler, understandably, had Colin getting dressed as king in a feather hat and a sword, epaulettes and medals where he was taken to Wembley to meet his father, who was also dressed in sword and feather hat. Then I found some photos of the actual event and he was just wearing a black overcoat, a grey suit and a black hat - like every other man in the stadium. You wouldn't know he was royal. Working with Jenny to avoid too much bling was really important. We made a very conscious effort to put him in greys and blacks, almost funereal colours. I can't tell you how excited I was - it meant he was an everyman figure. Out of that came this image of him up against a dirty brick wall looking scared out of his wits. I wanted to meet him as a man first and a royal second.
Similar to certain type of people that have 1-2 ties for all occasions. However this is Duke, prince, king..royal blood and etc we are talking about..
A single man was incredible. Clothing was flawless.