slack tide
Distinguished Member
- Joined
- Oct 15, 2010
- Messages
- 2,176
- Reaction score
- 623
Has anyone watched the new horror film, 'Undocumented', that is now available On-Demand and on iTunes? Having trouble finding a trustworthy opinion.
STYLE. COMMUNITY. GREAT CLOTHING.
Bored of counting likes on social networks? At Styleforum, you’ll find rousing discussions that go beyond strings of emojis.
Click Here to join Styleforum's thousands of style enthusiasts today!
Styleforum is supported in part by commission earning affiliate links sitewide. Please support us by using them. You may learn more here.
i'm beginning to think that australian film might be as underrated as australia as a country (i've never actually been there, though). been watchign some spectacular films in recent weeks that were produced there. some really original ideas.
one in particular that i'll mention is "wake in fright", aka "outback" (1971). the film could probably best be summarized as kafka's "the castle" set in the australian outback + alcoholism, but there's an eery quality to it that makes it even weirder than that sounds.
anyone seen it? any other interesting australian films people like?
i'm beginning to think that australian film might be as underrated as australia as a country (i've never actually been there, though). been watchign some spectacular films in recent weeks that were produced there. some really original ideas.
one in particular that i'll mention is "wake in fright", aka "outback" (1971). the film could probably best be summarized as kafka's "the castle" set in the australian outback + alcoholism, but there's an eery quality to it that makes it even weirder than that sounds.
anyone seen it? any other interesting australian films people like?
Holy nostalgia, I saw a bad VHS dub of that like fifteen years ago. Great movie, it was during my Donald Pleasence obsession. The "real life" kangaroo killing was a high point.
I haven't seen that one that you mentioned, but it's on the the list now.
After the first part (the actual picnic, etc.) I wasn't crazy about Peter Weir's Picnic at Hanging Rock, but I know that that's one that a lot of people really like, so YMMV.
However, I heartily recommend Weir's The Last Wave. It's really quite great, and expands on some of the ideas from Hanging Rock in an interesting way. They make good companion pieces to watch back-to-back.
Does Roeg's Walkabout count, even though he's a Brit?
EDIT: What about Strictly Ballroom? I remember seeing that a bunch of times when I was younger, haha.
The weirdest Aussie film I've seen is Peter Weir's "The Cars that Ate Paris". It's on the border of being unwatchably weird, if you know what I mean.
I'm a huge fan of the movie "Bliss", starring Barry Otto (who is also in Strictly Ballroom), and based on the Peter Carey book of the same name. Carey's earliest books were a type of Australian magic realism, much of which comes through in the film, and the movie does a remarkable job of trimming the story down while remaining engaging. I've probably read the book close to half a dozen times, and watched the film perhaps twice that many times. It is an example of that rarest of birds - an effective film version of a brilliant novel.
funny that you mention the bad quality of the copy you saw years ago. it appears that the negative print of the movie had disappeared for decades, and was discovered in pittsburgh of all places about 5 years ago. i believe they have since restored it for a dvd.
teh copy i saw had a disclaimer at the end regarding the " 'roo hunting scene". it said that the footage for that part was taken by actual "'roo hunters" killing actual 'roo's. so, there were no animals killed expressly for the film.
I saw Get Him to the Greek in a hotel room and found it very funny - I mean, it was perfectly silly for a long day of walking around.
4. Kes (1969) -- conventional wisdom says that the commercial failure of this film in the usa was due to the incomprehensible accents of the northern english working class characters. i think this is wrong, as even with the sound off the plot is apparent. i think the real reason why americans didn't warm to it is due to the film's taking an unflinching look at the living conditions of the losers of history--the (english) working class. the young protagonist billy lives in cramped living conditions with his mother and his older brother who works "down in the pit". he eventually finds a baby kestrel (falcon) and trains it to fly with teh aid of a book he steals. it becomes clear that his time spent with the kestrel is the only experience of beauty he has in his bleak life. although the viewer knows that this is not going to turn out well, the end of the film is nevertheless extremely saddening, forcing the bourgeois viewer to confront how his/her society treats the working class. this was marketed as a "family film", but i don't think it should be watched by children.
WHY HAVE YOU PEOPLE NOT SEEN OLDBOY YET?
Seriously, it was like seven years ago. You have no excuse.