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Stylish Dinosaur
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For the late Sonatas, there is only Pollini.
You have to look at the context in which Beethoven and W.A. Mozart composed their music. To say one is better than the other is a very loaded statement. It cannot be denied that Beethoven is one of the best composers. If you listen to what other people were composing at that time, you will notice that he was obviously way ahead of his time. Still, it is undeniable that Mozart was also one of the greatest composers ever to have lived. Without Mozart, there would be no Beethoven. Beethoven regarded Mozart in the highest esteem. Listen to Mozart's symphonies 40 and 41 or his Piano Concerto #20. They kick ass.
This is for all your thoughts re: the late period words of Beethoven, defined as:
The problem with the 4th movement of the 9th is not that it is bad, it is that is a let-down. It is not as good as it should be. It is frankly a reversion to the middle period style of "heroic" Beethoven. Among the many glories of the late Beethoven is the progressive improvement from piece to piece and movement to movement. He just kept getting better. The Ninth gets progressively better as you go along, rising to that transcendent slow movement -- almost the greatest one he wrote (only the Cavatina of the 130 and the 4th of the 131 are truly better) -- and then you get this catchy, poppy choral piece. Few if any of the hallmarks of late period style are there. The 131 is the greatest piece of music in any genre by anyone, ever.
The Ninth gets progressively better as you go along, rising to that transcendent slow movement -- almost the greatest one he wrote (only the Cavatina of the 130 and the 4th of the 131 are truly better) -- and then you get this catchy, poppy choral piece.
You have to look at the context in which Beethoven and W.A. Mozart composed their music. To say one is better than the other is a very loaded statement. It cannot be denied that Beethoven is one of the best composers. If you listen to what other people were composing at that time, you will notice that he was obviously way ahead of his time. Still, it is undeniable that Mozart was also one of the greatest composers ever to have lived. Without Mozart, there would be no Beethoven. Beethoven regarded Mozart in the highest esteem. Listen to Mozart's symphonies 40 and 41 or his Piano Concerto #20. They kick ass.
The problem with the 4th movement of the 9th is not that it is bad, it is that is a let-down. It is not as good as it should be. It is frankly a reversion to the middle period style of "heroic" Beethoven.
The Cavatina is probably the only piece of music that can drive me close to tears (the Adagio of Schubert's Quintet in C major is a distant second).
For the late Sonatas, there is only Pollini.