UNIFORM LA CHILLICOTHE WORK JACKET Drop, going on right now.
Uniform LA's Chillicothe Work Jacket is an elevated take on the classic Detroit Work Jacket. Made of ultra-premium 14-ounce Japanese canvas, it has been meticulously washed and hand distressed to replicate vintage workwear that’s been worn for years, and available in three colors.
This just dropped today. If you missed out on the preorder, there are some sizes left, but they won't be around for long. Check out the remaining stock here
Good luck!.
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.......not a Goodyear welting — because the stitching pattern on the welt and on the sole is different. I wonder, what is stitched and what is glued here
dinowhite, yes, you are right. But the brand doesn't answer, and buying and disassembling the shoe isn't that practical either, so I thought that someone experienced here would be able to tell.
Well, sure, when buying some cheap crap-kickers to get through the winter I generally could care less about their construction, but if the pair is Blake-stitched, like it looks to be the case with the pair above, it seems pretty ridiculous. Why don't they just glue them? Who knows what the collective mind of Russian designers and Chinese shoemakers thought of...I understand that of course
but I do think that in many instances -especially if we are not talking about 'dress shoes', (but even then)- the actual 'construction' is not that important if the quality is right
Too bad... since I want to know the difference between all different shoe styles.
Darn, the pics from the first post aren't working anymore. Is there any alternative collection of such photos in one place in this forum? (No, Google isn't it).
This article is meant as a quick reference to explain the design and construction of classic shoes and the terminology used to describe them. Pictures are crucial if you are to understand anything written below, so a link to a picture index is included at the end of the article.
Most classic shoe models can be traced back to bespoke shoemakers. Nearly all of them first appeared at least 75 years ago, and some have been around for more than one hundred years. They have evolved and have been refined, but most are still obviously connected to their original form. The driving force behind shoe design is really the silhouette of the clothes they are meant to be worn with – especially the trousers. Slim pants with a narrow (pegged) bottom require a slim fitting shoe unless you want your feet to appear larger than they actually are. Conversely, fuller-cut clothing requires heavier shoes. As a general rule, your trousers should cover the lacing of your shoes – approximately two thirds of the shoe’s length.
The most important factor to consider when choosing a shoe is the last. The last is the wooden form that the shoe is constructed around. It determines both the final shape of the shoe, and its’ fitting characteristics. Master lastmakers are, in a way, part scientist, doctor, architect and artist.
Also crucially important is the leather that the shoe is clicked (cut) from. The leather used to make the shoe upper is almost always chrome-salt (mineral) tanned in large rotating vats. Most fine shoe uppers are made from high-grade calfskin. Thicker cowhide is sometimes used for pebble-grained uppers and to a lesser extent, you will see fine shoes made from shell cordovan (horse leather) and even exotic leathers like alligator and crocodile. A fine shoe will have an insole and sole of thicker pit-tanned cowhide. This leather is vegetable-tanned using actual vegetable matter, not vegetable extracts. Most shoe linings are also vegetable tanned.