mhip
Distinguished Member
- Joined
- Apr 8, 2020
- Messages
- 8,389
- Reaction score
- 8,797
Put some red hats on those fellers, and you have...
STYLE. COMMUNITY. GREAT CLOTHING.
Bored of counting likes on social networks? At Styleforum, you’ll find rousing discussions that go beyond strings of emojis.
Click Here to join Styleforum's thousands of style enthusiasts today!
Styleforum is supported in part by commission earning affiliate links sitewide. Please support us by using them. You may learn more here.
Put some red hats on those fellers, and you have...
It was a posted photo of some gentlemen waiting on line to get a haircut that summoned that drawing up through the ancient drug soaked ooze and broken bits of detritus that pass for my memory these days.Put some red hats on those fellers, and you have...
for me this wasn't at all a criticism of you or your piece or immigrants! and i should have been more clear about that. it's an observation about Joyce. there's an aura of weirdness to this fancy (white) American expat brand using the trapped (black) house help to model clothes. it's not actual slavery (though it does have uncomfortable echoes of it), it's not awful, it's just kinda off and annoyingTo clarify, that bit was disclosed because the company is located in Italy, where there's a shelter in place order. Since they can't go out to shoot a lookbook, they had to improvise in their home. I'm not sure what should have been said instead? I wanted to disclose they're sheltering in place, not going out to shoot lookbooks with models and photographers. But I don't know how else to describe Omar except to say that he's a friend of the family and a worker on the property.
I don't know why people are assuming the worst of their relationship. Associating free labor with slavery, even if on a wealthy property, seems a bit much.
I know this isn't what people meant, but I also think it's a great thing that he's an immigrant. Wasn't saying that as some pity story. My parents are Vietnamese immigrants and I'm proud of their story.
I have no idea about the truth of the situation, and I'm not saying they're actually mistreating him — I'm sure they compensated him in some way and my guess is the guy is happy enough. But it's a weird look. It'd be like a bougie brand in Texas shooting a Syrian or Salvadorean refugee who lives in their house as a groundskeeper and bragging about it. It's kinda tasteless.
I'd thought I'd seen it in material directly from them, aside from your post. If that's really the case, then of course it's not bragging, and I'm a moron.Again, to clarify, this is information I received because I asked John about it. It's not like this is info they've posted on their website or product pages. I'm not sure why this is considered "bragging."
I thought the lookbook was inspiring, so I emailed John to ask about it. We went back and forth and I asked him questions about how the lookbook came together. Since they're sheltering in place, John explained they shot this at home. When asked who is the model, he explained it's a friend and someone works on the property. He also explained a bit about Omar's background.
Joyce did talk about Umar in their newsletter, but I thought they addressed it very tastefully and without being patronizing. I pasted the text from their email:I'd thought I'd seen it in material directly from them, aside from your post. If that's really the case, then of course it's not bragging, and of course I'm a moron. Sorry to muck up the thread!
Thanks, that's what I'd seen but must have deleted. It's the "Telling his story as an extension our own" stuff that annoyed me. The rest of it seems very generous and kind, but that's the mom's not the brand's doing.Joyce did talk about Umar in their newsletter, but I thought they addressed it very tastefully and without being patronizing. I pasted the text from their email:
"In the early days of March, our small production was hastily wrapped and with the same pace, we left our home and studio for the wife’s family house in the small Tuscan town of Turicchi. For the past four years, her mother’s home has hosted migrants fleeing their own. Umar was one of roughly a hundred that have come and gone. Leaving his home country of Mali, he arrived in Tuscany by way of Sicily, and is the last of the migrants, who have otherwise integrated throughout greater Italy. Umar works now on the surrounding land, pruning the olive trees, tending to vines, and general chores in exchange for room, board, and salary. With our production in tow, we set around the grounds, capturing Umar in our spring / summer collection. Telling his story as an extension our own "