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They should continue selling the 70s bourgeois **** that appeals to people who want to buy into that image that Hedi has been crafting for the brand's foundation/identity. But they should also sell some less "heavy" pieces that cater to the majority of luxury brand consumers. This is basically a diffusion line without being labelled as a diffusion line. These customers like the idea of buying from a brand having a French heritage, but they don't necessarily want to dress like French women in the 70s. I don't like the boots as a standalone piece, but I really like them when matched with their respective looks. This is a contrast to Harness Wyatts where I just like looking at them by themselves.A lot of it just looked like **** you could buy at teh mall or Walmart, which is not what I'm looking for from a European fashion house. The boots sucked.
Of course it is to have a point of view, but you cannot design for a company the size of Celine without supplying something people can wear.Is it the designer's job to have a point of view or to supply something that's easily integrated into what people are wearing?
I actually agree with this. I think Kieran pointed out after the dancing kid fiasco that he was mostly just geared towards buying permanent collection items, and I'm leaning in that direction as well. I'm gonna check out the pics on vogue when they put them up.They should continue selling the 70s bourgeois **** that appeals to people who want to buy into that image that Hedi has been crafting for the brand's foundation/identity. But they should also sell some less "heavy" pieces that cater to the majority of luxury brand consumers. This is basically a diffusion line without being labelled as a diffusion line. These customers like the idea of buying from a brand having a French heritage, but they don't necessarily want to dress like French women in the 70s.
These two things need not be mutually exclusive either. The fw13 grunge collections were certainly not new innovations or a new point of view. However, it is Hedi's point of view to capture what was trending at that time that can be easily integrated into what people are wearing. Grunge was trending for a period already before 2013. People slurped it up because it felt relevant to what they wanted to wear. His general design philosophy/point of view has been consistent in focusing on what the youth want to wear while filtered through his luxury Parisian fashion house lens. I personally am a big fan of him pushing ties worn casually hard in ss19 and fw19, but that sadly was not relevant to what people want to actually wear in 2019 or 2020 (this is just based on what I see on Instagram and what I see discussed here). I feel like Hedi is responding to the whole pandemic for his ss21 shows and everything makes sense.Is it the designer's job to have a point of view or to supply something that's easily integrated into what people are wearing?
100% should do well commercially compared to being so bourgeois. The modern woman buying luxury brands just wants to look casual but put together while rocking a designer bag.