I am in probably a small minority in thinking OHMSS is the most artistically worthy Bond.
Starting with the obvious, it took an enormous amount of cojones to have such a serious development and sad ending when the entire world had come to expect light entertainment and a kind of colonial* fantasy from the series, not to mention the self-awareness and criticism of where the series had headed. But the acting from Rigg** (especially) to Lazenby was subtle, powerful, intelligent, with appropriate in-jokes and extraordinary character development all leading to the final surprise, which itself spelled the end for Lazenby and shook the series. Funnily enough by the time Casino Royale (bis) rolled around everybody was ready to take Bond seriously, tired with Moore's antics and "blue ice" Brosnan (TM) the almost-yank and the downer ending was seen as the pinnacle of Bondian script writing. At least Rigg's love story and character were real, beautiful and endearing which made it all the more poignant. Oh why did you have to pull out that photo... now I'll tear up a bit.
* I am honestly quite surprised at how willingly people praise not just Connery's acting but his version of the character. I ascribe it to a collective loss of memory about how the 20th century really was run, or selective teaching of history. It is even more obvious when you read Fleming's books - even for his time he was not exactly politically correct.
** Still my favourite GOT character and a damn shame that she was killed off, in the unstoppable slide of the series as it gathered popularity.
Starting with the obvious, it took an enormous amount of cojones to have such a serious development and sad ending when the entire world had come to expect light entertainment and a kind of colonial* fantasy from the series, not to mention the self-awareness and criticism of where the series had headed. But the acting from Rigg** (especially) to Lazenby was subtle, powerful, intelligent, with appropriate in-jokes and extraordinary character development all leading to the final surprise, which itself spelled the end for Lazenby and shook the series. Funnily enough by the time Casino Royale (bis) rolled around everybody was ready to take Bond seriously, tired with Moore's antics and "blue ice" Brosnan (TM) the almost-yank and the downer ending was seen as the pinnacle of Bondian script writing. At least Rigg's love story and character were real, beautiful and endearing which made it all the more poignant. Oh why did you have to pull out that photo... now I'll tear up a bit.
* I am honestly quite surprised at how willingly people praise not just Connery's acting but his version of the character. I ascribe it to a collective loss of memory about how the 20th century really was run, or selective teaching of history. It is even more obvious when you read Fleming's books - even for his time he was not exactly politically correct.
** Still my favourite GOT character and a damn shame that she was killed off, in the unstoppable slide of the series as it gathered popularity.