jerrybrowne
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- Jul 29, 2009
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Thanks Nicholas! Sounds exciting. Yes, getting back into the swing of things. When are you back in Boston? Have some ideas for new things we can work on.
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nick, can your guy do pie crust with cordovan leather too?Great to see you back jerrybrowne, it’s always been a pleasure to make for you! I’ve actually got that belated replacement pair under way for you at the moment - found a guy who does that pie crust stitch and sourced the right leather to match 88 aniline. I’ll keep you posted
how did it come out? is this the same guy that does the cordovan pie crust for ascot/chu?He did it once and wasn’t very happy about it. I wouldn’t be very happy about offering it, either
just because it can be done doesn’t mean it should
I’ve had this in my mind for a while now and I’ve been consciously trying to stumble upon earlier examples from paintings where heels could be found early 16th century and prior. Today I was at a museum, a couple actually and I still had this in mind. It really seems you’re correct and I find it fascinating. Where did the heel begin? Was it functional? (Stirrups, lift out of the mud) or aesthetic? (Lengthen the leg, add height)Here's another nugget for you to ponder--heels...as we know them...do not appear until the late 16th century. No records, no paintings, no descriptions exist to support heels...as we know them...before that time.
I’ve had this in my mind for a while now and I’ve been consciously trying to stumble upon earlier examples from paintings where heels could be found early 16th century and prior. Today I was at a museum, a couple actually and I still had this in mind. It really seems you’re correct and I find it fascinating. Where did the heel begin? Was it functional? (Stirrups, lift out of the mud) or aesthetic? (Lengthen the leg, add height)