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Random Fashion Thoughts (Part 3: Style farmer strikes back) - our general discussion thread

justridiculous

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I have one of I+W's graphic tees and I love it. I don't find the quality to be an issue at all; they're meant to have that "vintage tee" feel to them. Broken-in, soft, a bit thinner. If you're expecting a heavier duty tee on the level of 3Sixteen, Lady White Co., etc., then you'll be disappointed. If you want a soft, cozy tee, then these are great.
 

bows1

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I have one of I+W's graphic tees and I love it. I don't find the quality to be an issue at all; they're meant to have that "vintage tee" feel to them. Broken-in, soft, a bit thinner. If you're expecting a heavier duty tee on the level of 3Sixteen, Lady White Co., etc., then you'll be disappointed. If you want a soft, cozy tee, then these are great.
I just found the graphic tees to be even shorter than their color block tees. Color block tees I like a lot but the cut is different on the graphic ones
 

sipang

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Heyyy I watched another movie.

L'Amour l'après midi aka Chloe in the Afternoon (Eric Rohmer, 1972). A moral tale about turtlenecks and temptation.


Protagonist loooves a good black tnecked 3-pcs suit (CM double yikes, the 70s etc). Directional.

1.jpg



Good leg volume (+ good heel height)

2.jpg


Shopping for... turtlenecks

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13.jpg

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A shirt at last (also actually a plot point, fashion matters here ...)

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Style diagonal

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The end.



Two things I noticed. Freaking massive belts with suits (see above) and comically deep center vent on the jackets. Not sure if it's a period thing or a designer's idiosyncrasy (suits by Daniel Hechter for the curious).

26.jpg





Random trivia, there's an US remake directed by Chris Rock
 

armellod.e

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Heyyy I watched another movie.

L'Amour l'après midi aka Chloe in the Afternoon (Eric Rohmer, 1972). A moral tale about turtlenecks and temptation.
One of my faves. You might already know but it was big inspiration for Lemaire AW19 (the suits, tnecks, pajamas, etc). There was a viscose shirt modeled after one in La Collectionneuse too.
 

ghdvfddzgzdzg

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I+W tee talk: I have an old blue tee from them. Very soft, very thin. I have two graphic tees from them (born to lose & hot sauce devil) and they’re pleasantly a little thicker. In terms of construction, it’s a tee, it’s fine. what am I supposed to expect? I do like how the necks on the tees age in their wash process. Oh and I also like their dead Mickey graphic
 

dieworkwear

Mahatma Jawndi
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Heyyy I watched another movie.

L'Amour l'après midi aka Chloe in the Afternoon (Eric Rohmer, 1972). A moral tale about turtlenecks and temptation.


Protagonist loooves a good black tnecked 3-pcs suit (CM double yikes, the 70s etc). Directional.

View attachment 1609518



Good leg volume (+ good heel height)

View attachment 1609519


Shopping for... turtlenecks

View attachment 1609520

View attachment 1609521

View attachment 1609522

View attachment 1609523

View attachment 1609525

View attachment 1609526

View attachment 1609527

View attachment 1609528


A shirt at last (also actually a plot point, fashion matters here ...)

View attachment 1609529

View attachment 1609530


Style diagonal

View attachment 1609531

View attachment 1609532

View attachment 1609533

View attachment 1609534

View attachment 1609536

View attachment 1609537

View attachment 1609540

The end.



Two things I noticed. Freaking massive belts with suits (see above) and comically deep center vent on the jackets. Not sure if it's a period thing or a designer's idiosyncrasy (suits by Daniel Hechter for the curious).

View attachment 1609541





Random trivia, there's an US remake directed by Chris Rock


Henry Stewart used to make suits like that. Broad, padded shoulders, slim waist, long skirt, and a very high vent.

Some young guy once found a Henry Stewart suit in the attic of some Connecticut home. The suit was made for Paul Newman.

This photo doesn't show the vent, but it's likely as high as the one in that movie.


Screen Shot 2021-05-14 at 2.00.44 PM.png
Screen Shot 2021-05-14 at 2.00.33 PM.png
Screen Shot 2021-05-14 at 2.00.51 PM.png
 

#dadcore

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Newman of any era is obviously a style icon, but “Color of Money” era Newman (assuming that suit was for the film) is just truly superhuman levels of swag. Can’t easily find a picture of the DB camel overcoat he wears in that movie but it’s just otherworldly.

 

sipang

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One of my faves. You might already know but it was big inspiration for Lemaire AW19 (the suits, tnecks, pajamas, etc). There was a viscose shirt modeled after one in La Collectionneuse too.

That's pretty cool, I had no idea actually. Costume design on Rohmer's film is always on point, very solid through the 90s too (same for Rivette, Gang of Four is 10/10 on fashion). And Lemaire referencing of 70s and 80s fashion is unparalleled imo, just the right balance.


Henry Stewart used to make suits like that. Broad, padded shoulders, slim waist, long skirt, and a very high vent.

Some young guy once found a Henry Stewart suit in the attic of some Connecticut home. The suit was made for Paul Newman.

This photo doesn't show the vent, but it's likely as high as the one in that movie.



Slim waist long skirt jackets are awesome (with structured but not too broad shoulders pls). I think that's the thing I like the most about 70s tailoring, or at least my patchy notion of it. I'd wear it, big vent and all.

Still, so strange looking...

22.jpg
 

motosacto

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I watched that movie recently, didn’t like it. Which is very surprising since Scorsese directed it, cruise and Newman. Newman even won best supporting actor there.

If you haven’t already, go back and watch The Hustler. It’s “only” about a 25 year time difference, but the clothing and film aesthetic makes it feel like a different universe...
 

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