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Might go with slightly narrower lapels next time, not much, around 1 cm, what do you think?
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Width looks good, I would lower the gorge and maybe the buttoning stance (hard to tell from the picture) and if you lower the gorge, the chest pocket should come down slightly giving it a good balance.
Regards,
/O
Last Saturday I visited John Di Pietro to retrieve a navy velvet dinner jacket that I had commissioned in February. I had originally expected delivery rather sooner and occasions for slightly frequenter, but that's 2020 for you... bloody dreadful.
It's an unsubtle garment. The body is navy velvet while the lapels, pocket jets and cuffs are a slightly plusher black velvet. The buttons are covered in the same velvet as the lapels. I had trousers made with it in midnight blue gabardine with the waistband and pockets trimmed in the same black velvet as the lapels and the side seams trimmed with wide satin ribbons.
It was inspired by a picture from the vintage fashion illustrations on Mr. Di Pietro's wall. it's cut rather generously as Mr. Di Pietro was pessimistic about how readily the velvet would take the alteration and the direction that, 'the way that your body changes over time," tends to go. Besides that, it's a dinner jacket, so I intend to eat some large dinners while wearing it, making a generous cut practical.
Anyway, on with my standard photographic routine. This should be especially silly.
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The lapels are a full 5" wide and might qualify as Rubenesque. The cuffs are 3" wide. Also note that the chest pocket is jetted, like the hip pockets, rather than welted. This was the tailor's suggestion and something that he had done for me before.
The bowtie is also made of silk velvet. The tuxedo shirt was made for me by Ray Nepomuceno, a local shirtmaker, and the homburg by Stephen Temkin of Leon Drexler.
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Not much to see here... well, there' a lot, but not much of interest. I suppose that the covered sleeve buttons merit a little note
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The rear view isn't very interesting either, but one might notice that the cuffs extend only over the front half of the end of the sleeves. This was because the tailor found it impractical to have the cuff encircle the whole sleeve as it would interfere with the point where the edges of the sleeve overlap and button closed. Most people will probably only be looking at the front of them anyway and if the party is any good, be too drunk to notice regardless.
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Here I am practicing for my eventual debut on the local sex offender registry. I realize that I'm fully clothed in this, but, well, baby steps.
The cummerbund was made by Sam Hober, the studs long ago by Krementz and the braces by Albert Thurston. What they're ignominiously stretched over was made by generations of not having the good sense to decide against having children complimented by lots of cheese.
I don't think that I'll wear this often, in part because it's very bloody warm, but I assure you that I will take every opportunity to do so, no matter, or perhaps because, how much of a madman I might appear to the general public.
I've been awaiting this post with bated breath since you showed the pics from the earlier fitting. I'm not sure this is as outrageous in public as you might be concerned about? I mean, the lapels are pretty wild, but other than that, It's a dark blue dinner jacket. Seems quite wearable, well, assuming black tie survives COVID. Since it's a bit looser and more relaxed, might you be bold enough to wear this simply as a casual smoking jacket? Looking forward to action pics!
Gotta say @Encathol Epistemia that dinner jacket is pretty baller. Wear it in good health.
Finished recently: Lovat 3-ply navy wool. Very matte, which I'm really happy with.
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Finished recently: Lovat 3-ply navy wool. Very matte, which I'm really happy with.
Finished recently: Lovat 3-ply navy wool. Very matte, which I'm really happy with.
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Looks good. Is this from their Bard book? Do you recall the bunch number?
do you know what fabric reference number this is? Bard book I presume?
Edit: I should really read the full threads before commenting