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island blood gives you the smooth skin, eh?
If anyone is still interested. My father was a tailor for Society Brand in Chicago and these are patch pocket patterns they used in the 40"s and 50's. They are a bit similar to Corbera's breast patch. When the factory closed, all the patterns seemed to disappear and magically reappear at tailors workshops. I have their block patterns too.
Did you make anything using those patterns?
Would you kindly stop with the stylistic deviations from the SF norm and maintain some adherence to imposed SF expectations of your clothing style. i.e. abstract pocket shapes and edge stitching...and is that shirring I see along the back yoke?
It's causing a disruption of balance in the sartoriasphere.
It's a collo Capri (and thanks for the suggestion, Jan.) It can't be worn with a necktie, as you can see.
Given how the collar, band and French placket are all one piece, edge stitching strikes me as the most appropriate...to my eye, at least, it would look messier with a inset stitch on the collar with no place to go since there is no band to terminate the inset line cleanly. The edge stitching, in contrast, just continues from collar to band to placket with no interruption.
I hope that makes sense.
It's a summer or beach-y getaway shirt.
The reason is, because you know it would be guido. On an italian-collar shirt meant to be worn open to the navel in Tahiti, I agree it's fine, maybe even preferable.
On an italian-collar shirt meant to be worn open to the navel in Tahiti, I agree it's fine, maybe even preferable.
Dege did some shirts like this for me. Since they are English, they called them Lido collars. I can't recall whether or not they were edge stitched.
I think wearing a tie with a shirt with no collarband would look really bad.
"visible topstitching on a coat is considered bad taste": it is?