Are there any other fans of this genius out there?
I love his jazz and improv principally. I find his game pieces more challenging but nevertheless interesting.
I saw him perform the premiere of The Gift at the Barbican a few years ago, and more recently here at the Teatro Pavarotti performing his Masada and Bar Kokhba material: incredible .
I wish I could have seen him at Tonic in NYC before it closed. I would dearly love to catch a live improv piece, something like he performed at Cargo in London (after a great performance by one of his prodigÃ
s and his band, Satlah, also coming out of the Jewish musical tradition, and signed to his independent label, Tzadik).
If you want some great, wild **** look to his recent 50th birthday concert releases, particularly the duets with Milford Graves (drums) or Yamakata Eye (voice and computer).
For some great covers look to Voodoo; for movie soundtrack inspiration, Spillane or The Big Gundown.
I am currently listening to Ne'eman, from the live concert in Seville, 2000. Brilliant.
en.wikipedia.org/wiki/John_Zorn
I love his jazz and improv principally. I find his game pieces more challenging but nevertheless interesting.
I saw him perform the premiere of The Gift at the Barbican a few years ago, and more recently here at the Teatro Pavarotti performing his Masada and Bar Kokhba material: incredible .
I wish I could have seen him at Tonic in NYC before it closed. I would dearly love to catch a live improv piece, something like he performed at Cargo in London (after a great performance by one of his prodigÃ
If you want some great, wild **** look to his recent 50th birthday concert releases, particularly the duets with Milford Graves (drums) or Yamakata Eye (voice and computer).
For some great covers look to Voodoo; for movie soundtrack inspiration, Spillane or The Big Gundown.
I am currently listening to Ne'eman, from the live concert in Seville, 2000. Brilliant.
en.wikipedia.org/wiki/John_Zorn