Favorite Poem

[Rome]

A Supermarket in California
\t
\tWhat thoughts I have of you tonight, Walt Whitman, for I walked down the
streets under the trees with a headache self-conscious looking at the full moon.

In my hungry fatigue, and shopping for images, I went into the neon fruit
supermarket, dreaming of your enumerations!
What peaches and what penumbras! Whole families shopping at night! Aisles
full of husbands! Wives in the avocados, babies in the tomatoes! --- and you,
Garcia Lorca, what were you doing down by the watermelons?
I saw you, Walt Whitman, childless, lonely old grubber, poking among the
meats in the refrigerator and eyeing the grocery boys.
I heard you asking questions of each: Who killed the pork chops? What price
bananas? Are you my Angel?
I wandered in and out of the brilliant stacks of cans following you, and
followed in my imagination by the store detective.
We strode down the open corridors together in our solitary fancy tasting
artichokes, possessing every frozen delicacy, and never passing the cashier.
Where are we going, Walt Whitman? The doors close in an hour. Which way does
your beard point tonight?
(I touch your book and dream of our odyssey in the supermarket and feel
absurd.)
Will we walk all night through solitary streets? The trees add shade to
shade, lights out in the houses, we'll both be lonely.
Will we stroll dreaming of the lost America of love past blue automobiles in
driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher, what America did you
have when Charon quit poling his ferry and you got out on a smoking bank and
stood watching the boat disappear on the black waters of Lethe?

Allen Ginsberg

 

[Nantucket Red]

Be kind and tender to the Frog,
And do not call him names,
As "Slimy skin," or "Polly-racist term for brown people,"
Or likewise "Ugly James,"
Or "Gap-a-grin," or "Toad-gone-wrong,"
Or "Bill Bandy-knees":
The Frog is justly sensitive
To epithets like these.

No animal will more repay
A treatment kind and fair;
At least so lonely people say
Who keep a frog (and, by the way,
They are extremely rare).

 

[Connemara]

Great thread. Mine is "The Second Coming" by W.B. Yeats.

Turning and turning in the widening gyre
The falcon cannot hear the falconer;
Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Surely some revelation is at hand;
Surely the Second Coming is at hand.
The Second Coming! Hardly are those words out
When a vast image out of Spiritus Mundi
Troubles my sight: somewhere in sands of the desert
A shape with lion body and the head of a man,
A gaze blank and pitiless as the sun,
Is moving its slow thighs, while all about it
Reel shadows of the indignant desert birds.
The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?

 

[Full Canvas]

O BLUSH not so! O blush not so!
Or I shall think you knowing;
And if you smile the blushing while,
Then maidenheads are going.

There's a blush for won't, and a blush for shan't,
And a blush for having done it:
There's a blush for thought and a blush for naught,
And a blush for just begun it.

O sigh not so! O sigh not so!
For it sounds of Eve's sweet pippin;
By these loosen'd lips you have tasted the pips
And fought in an amorous nipping.

Will you play once more at nice-cut-core,
For it only will last our youth out,
And we have the prime of the kissing time,
We have not one sweet tooth out.

There's a sigh for yes, and a sigh for no,
And a sigh for I can't bear it!
O what can be done, shall we stay or run?
O cut the sweet apple and share it!

___________________________________

 

[LabelKing]

I like Shelley's Ozymandias

I met a traveller from an antique land
Who said:"”Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

 

[Aaron]

Great topic; LK Ozymandius is one of my favorites as well. Tennyson's Ulysses is another.

It little profits that an idle king,
By this still hearth, among these barren crags,
Match'd with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.

I cannot rest from travel: I will drink
Life to the lees: all times I have enjoy'd
Greatly, have suffer'd greatly, both with those
That loved me, and alone; on shore, and when
Thro' scudding drifts the rainy Hyades
Vest the dim sea: I am become a name;
For always roaming with a hungry heart
Much have I seen and known; cities of men
And manners, climates, councils, governments,
Myself not least, but honour'd of them all;
And drunk delight of battle with my peers;
Far on the ringing plains of windy Troy.
I am part of all that I have met;
Yet all experience is an arch wherethro'
Gleams that untravell'd world, whose margin fades
For ever and for ever when I move.
How dull it is to pause, to make an end,
To rust unburnish'd, not to shine in use!
As tho' to breath were life. Life piled on life
Were all to little, and of one to me
Little remains: but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.

This is my son, mine own Telemachus,
To whom I leave the sceptre and the isle-
Well-loved of me, discerning to fulfil
This labour, by slow prudence to make mild
A rugged people, and thro' soft degrees
Subdue them to the useful and the good.
Most blameless is he, centred in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.

There lies the port; the vessel puffs her sail:
There gloom the dark broad seas. My mariners,
Souls that have toil'd, and wrought, and thought with me-
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads- you and I are old;
Old age had yet his honour and his toil;
Death closes all: but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with Gods.
The lights begin to twinkle from the rocks:
The long day wanes: the slow moon climbs: the deep
Moans round with many voices. Come, my friends,
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
The sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down:
It may be we shall touch the Happy Isles,
And see the great Achilles, whom we knew.

Tho' much is taken, much abides; and tho'
We are not now that strength which in the old days
Moved earth and heaven; that which we are, we are;
One equal-temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.

 

[whodini]

Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there's some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

 

[Bandwagonesque]

The Cremation of Sam McGee by Robert Service

 

[RJman]

A little Mallarme -- this comes to mind...

Le vierge, le vivace et le bel aujourd'hui
Va-t-il nous dÃ

chirer avec un coup d'aile ivre
Ce lac dur oubliÃ

que hante sous le givre
Le transparent glacier des vols qui n'ont pas fui !

Un cygne d'autrefois se souvient que c'est lui
Magnifique mais qui sans espoir se dÃ

livre
Pour n'avoir pas chantÃ

la rÃ

gion où vivre
Quand du stÃ

rile hiver a resplendi l'ennui.

Tout son col secouera cette blanche agonie
Par l'espace infligÃ

e à l'oiseau qui le nie,
Mais non l'horreur du sol où le plumage est pris.

Fantôme qu'à ce lieu son pur Ã

clat assigne,
Il s'immobilise au songe froid de mÃ

pris
Que vêt parmi l'exil inutile le Cygne

And of course this gem of doggerel by George Gordon:

I read the "Christabel;"
Very well:
I read the "Missionary;"
Pretty - very:
I tried at "Ilderim;"
Ahem!
I read a sheet of "Marg'ret of Anjou;"
Can you?;
I turned a page of Webster's "Waterloo;"
Pooh! Pooh!
I looked at Wordsworth's milk-white "Rylstone Doe;"
Hillo!
I read "Glenarvon," too, by Caro Lamb;
God damn!

 

[designprofessor]

Oh yes,


there are worse things than
being alone
but it often takes decades
to realize this
and most often
when you do
it's too late
and there's nothing worse
than
too late


Charles Bukowski

 

[dkzzzz]

Originally Posted by Rome

A Supermarket in California
\t
\tWhat thoughts I have of you tonight, Walt Whitman, for I walked down the
streets under the trees with a headache self-conscious looking at the full moon.

In my hungry fatigue, and shopping for images, I went into the neon fruit
supermarket, dreaming of your enumerations!
What peaches and what penumbras! Whole families shopping at night! Aisles
full of husbands! Wives in the avocados, babies in the tomatoes! --- and you,
Garcia Lorca, what were you doing down by the watermelons?
I saw you, Walt Whitman, childless, lonely old grubber, poking among the
meats in the refrigerator and eyeing the grocery boys.
I heard you asking questions of each: Who killed the pork chops? What price
bananas? Are you my Angel?
I wandered in and out of the brilliant stacks of cans following you, and
followed in my imagination by the store detective.
We strode down the open corridors together in our solitary fancy tasting
artichokes, possessing every frozen delicacy, and never passing the cashier.
Where are we going, Walt Whitman? The doors close in an hour. Which way does
your beard point tonight?
(I touch your book and dream of our odyssey in the supermarket and feel
absurd.)
Will we walk all night through solitary streets? The trees add shade to
shade, lights out in the houses, we'll both be lonely.
Will we stroll dreaming of the lost America of love past blue automobiles in
driveways, home to our silent cottage?
Ah, dear father, graybeard, lonely old courage-teacher, what America did you
have when Charon quit poling his ferry and you got out on a smoking bank and
stood watching the boat disappear on the black waters of Lethe?

Allen Ginsberg

I don't consider this poetry. It is a prose. But it is a brilliant melancholic prose.

 

[Vintage Gent]

So many to choose from. Some favorites include:

"More Light, More Light" by Anthony Hecht
"Meditation at Lagunitas" by Robert Haas
"To Robinson Jeffers" by Czeslaw Milosz
"Killing Floor" by Ai
"A Letter of Reommendation" by Yehuda Amichai
"They Feed They Lion" by Philip Levine
"In Memory of W.B. Yeats" by W.H. Auden

Recent favorite is "The Tollund Man" by Seamus Heaney

I

Some day I will go to Aarhus
To see his peat-brown head,
The mild pods of his eye-lids,
His pointed skin cap.

In the flat country near by
Where they dug him out,
His last gruel of winter seeds
Caked in his stomach,

Naked except for
The cap, noose and girdle,
I will stand a long time.
Bridegroom to the goddess,

She tightened her torc on him
And opened her fen,
Those dark juices working
Him to a saint's kept body,

Trove of the turfcutters'
Honeycombed workings.
Now his stained face
Reposes at Aarhus.

II

I could risk blasphemy,
Consecrate the cauldron bog
Our holy ground and pray
Him to make germinate

The scattered, ambushed
Flesh of labourers,
Stockinged corpses
Laid out in the farmyards,

Tell-tale skin and teeth
Flecking the sleepers
Of four young brothers, trailed
For miles along the lines.

III

Something of his sad freedom
As he rode the tumbril
Should come to me, driving,
Saying the names

Tollund, Grauballe, Nebelgard,
Watching the pointing hands
Of country people,
Not knowing their tongue.

Out here in Jutland
In the old man-killing parishes
I will feel lost,
Unhappy and at home.

 

[Vintage Gent]

Originally Posted by LabelKing

I like Shelley's Ozymandias

I met a traveller from an antique land
Who said:"”Two vast and trunkless legs of stone
Stand in the desert. Near them on the sand,
Half sunk, a shatter'd visage lies, whose frown
And wrinkled lip and sneer of cold command
Tell that its sculptor well those passions read
Which yet survive, stamp'd on these lifeless things,
The hand that mock'd them and the heart that fed.
And on the pedestal these words appear:
"My name is Ozymandias, king of kings:
Look on my works, ye mighty, and despair!"
Nothing beside remains: round the decay
Of that colossal wreck, boundless and bare,
The lone and level sands stretch far away.

I find it fascinating how some of Shelley's imagery here serves as the backbone for Yeats' "The Second Coming."

 

[dkzzzz]

The shiv'ring piano, foaming at the mouth,
Will wrench you by its ravings, discompose you.
"My darling," you will murmur. "No!" I'll shout.
"To music?!" Yet can two be ever closer

Than in the dusk, while tossing vibrant chords
Into the fireplace, like journals, tome by tome?
Oh, understanding wonderful, just nod,
And you will know I do not claim to own

Your soul and body. You may go where'er
You want. To others. Werther has been written
Already. Death these days is in the air.
One opens up one's veins much like a window.

 

[LabelKing]

Originally Posted by Vintage Gent

I find it fascinating how some of Shelley's imagery here serves as the backbone for Yeats' "The Second Coming."
Indeed, that mystic aesthetic element. Yeats was very much a mystic, belonging to the Stella Matutina or Golden Dawn organization.