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None of those views were nuanced. More importantly, none were convincing. What constitutes too much white or too little? Lefty has stated that the proportions are wrong, but did not give a good argument for why.
Dopey's comment is the closest to useful. However, he is still wrong. My pattern-matching principles apply to outfits, which are worn by people. We do not see people the same way we see their environments. In the case of the former, we see one unit. In the case of the latter, we tend not to forget we are looking at many different elements.
I would not personally want to do a truly white room (like the one you posted). I'm very glad that you don't hate ours though. The cross-section of people who like our space is encouraging.
We're not getting rid of it--just moving it. We are replacing it with a Cappellini Lotus lounge chair.
The only thing that bothers me about the maneki neko is I thought you were of Chinese ancestry, Foo?
They started in Japan but they are very popular in China and Taiwan, too, and have been for a long time. They are even starting to catch on in other parts of Asia.
I loved this table too, until I saw it on the rug. I didn't get the first table, but think it would look better here than the marble. But I am really bugged by the marble over this rug.The first table was gimmicky and not very attractive (sorry foo.) This table looks awesome with the rug. Quite stunning, in fact. White lacquer, preferably glossy, would also look nice, but no better.
There's obviously no doubt he's vain.
foo, is it not possible that through the acquisition of knowledge and intellectual exploration, you are really just opting for a different cultural conditioning? we're getting back to the old questions of absolute aesthetic values. an honest question, not a troll. and i like a lot of things about the room and certainly endorse your right to enjoy the ones i don't like.
Not what I was thinking at all. I'm just shocked that after your series of unfortunate events you'd go back . . .
FG gave a good answer. Even when we test our prejudices what lens do we test them through and through what lens do we "overcome" them? I agree with you some people have a much deeper and broader depth of these things but "these things" are not some Platonic ideal IMO but merely a thicker catalogue from which to draw social and cultural ques from. There is probably a reason one does not see much mid-century modern in double wides.
Hilarious. Classic Foo. You reject all these views because you do not agree with them. Hence, in Foo-world, they are stupid.
But people's reactions do not have to be "convincing."
SH, I think you completely misunderstand Foo, perhaps because you don't know him from Menswear. You've got the wrong read on him. He can be an arsehole, but the last thing he is is some little idiot seeking approval and other people to tell him what he likes. There's also obviously no doubt he's vain, but he does this whole Styleforum thing in pursuit of something a little more noble: because he genuinely wants convincing arguments against him so that he can perfect his aesthetic philosophy by discounting those counterarguments or subsuming them.
And also, Foo you've got completely the wrong read on SH. He couldn't given a **** less about how much money you have or how much stuff you have. And he's not just a moron who uses snark to cover up the fact that he lacks real ability or intelligence.
Snarky people are almost aways stupid or not nearly as smart as they wished they were.
This is important. The problem with foo is that he resists all accusations that out him for what he is, which is plastic and insecure. He dances around this plasticity under the guise of aesthetic taste or "modernism" or other bullshit that justifies his selections, which would otherwise be perfectly acceptable if there was merely the explicit honesty or implicit smirk that he's just trying to jam as much as impressively expensive **** into his cubicle of a living room as he can. If foo were a convincing aesthete of a particular persuasion, this thread wouldn't exist, as the absence of Labelking's interior thread gives proof to. Labelking wakes up in the morning knowing he's a certifiable character, but he owns that character autonomously without ever giving indication he gives a **** what you think of the character he plays. Foo is desperate for people to validate himself, which is unfortunate, because he's not interesting.