XenoX101
Distinguished Member
- Joined
- Aug 25, 2008
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I think most of you have already seen this collection, but for those who haven't/want to see it again, here you go.
The dramatical Alexander McQueen brings villains of the past in his theatrical Fall 2009 collection, there's a lot of variety to be seen here, something for everyone. Much of it has a vintage air, so if thats your cup of tea you're in for a treat. Notable for me was the tan slash-pocket coat shown early on, that black knit belted coat that touched the ground, the mustard three button double breasted suit, the black rusted-look shirt, that entire industrial outfit and the last one which I'll keep a surprise
. Yes, there was a lot this time around and a lot of it was very solid and surprisingly wearable.
Here's what men.style.com had to say..
And if attention must be paid to the coat in Milan this season, McQueen's took the prize. A half-belted number was the week's consummately sartorial piece, with, not far behind, trenches in tan or black leather and a frock with a floral silk jacquard spreading across its hem like creeping fleurs du mal. The designer paired such items with skinny-legged pants so as not to divert attention from them. Same with the extravagant knits, particularly the pagan artisanal wraps with kilt closings. As McQueen collections go, this one was remarkably coherent. Pull it apart, and there were plenty of desirable stand-alone pieces. But the suspicion lingers that he might be more diverted dressing the creatures of his imagination for stage or screen.
"” Tim Blanks
The dramatical Alexander McQueen brings villains of the past in his theatrical Fall 2009 collection, there's a lot of variety to be seen here, something for everyone. Much of it has a vintage air, so if thats your cup of tea you're in for a treat. Notable for me was the tan slash-pocket coat shown early on, that black knit belted coat that touched the ground, the mustard three button double breasted suit, the black rusted-look shirt, that entire industrial outfit and the last one which I'll keep a surprise
Here's what men.style.com had to say..
In naming his latest show "The McQueensberry Rules," Alexander McQueen elided his own name and that of the nineteenth-century aristocrat whose title became synonymous with fair play in the boxing ring. And that set the tone for a parade of glowering tough cookies who looked like they'd stepped straight out of Gangs of New York. Kohl-eyed, clutching their silver-topped canes like cudgels, they stormed down the catwalk in tailored finery. It was a typical McQueen scenario: immaculately realized garments underpinned by a hint of horror movie (a leather butcher's apron transmogrified into Rollerball rig) and the promise of rough sex (muscles that stopped at nothing, for no one).
And if attention must be paid to the coat in Milan this season, McQueen's took the prize. A half-belted number was the week's consummately sartorial piece, with, not far behind, trenches in tan or black leather and a frock with a floral silk jacquard spreading across its hem like creeping fleurs du mal. The designer paired such items with skinny-legged pants so as not to divert attention from them. Same with the extravagant knits, particularly the pagan artisanal wraps with kilt closings. As McQueen collections go, this one was remarkably coherent. Pull it apart, and there were plenty of desirable stand-alone pieces. But the suspicion lingers that he might be more diverted dressing the creatures of his imagination for stage or screen.
"” Tim Blanks
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