FlyingMonkey
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27. The City We Became by N.K. Jemisin
N.K. Jemisin is probably the single most successful and talented fantasy writer out there at the moment, and this is the first in what she promises is a new sequence, the Great Cities Trilogy. In some ways, it's very different from all her earlier novels because this is not set in a fantasy world, but our own, or at least New York, which as any New Yorker will tell you (at great length) might as well be the world. This is a love story to New York, every bit as devoted as the Beastie Boys' 'To The Five Boroughs'. This is its strength but also its weakness. I wouldn't say it is parochial but if you're not a New Yorker or someone who knows New York well, its celebration of what often seems to outsiders to be well, a bit crap, can seem as self-involved as that famous New Yorker cartoon of the view from Manhattan across the Hudson. What opens the book up, and promises more from future volumes is two things. The first is the whole set-up, which is basically that at some point in their lifespan, cities are fully 'born' and generate an avatar that will speak for them to other cities, but that this transformation causes a rupture in the smoothness of the multiverse, a rupture that powerful, incomprehensible and seemingly malevolent Lovecraftian entities hate and want to close. This is good, but there have been lots of revisionings of Lovecraft (and more generally of American race-horror) of late from Matt Ruff's Lovecraft Country to Hari Hunzru's White Tears, so what does Jemisin add here? Well, the second element, which is the characters. Jemisin is very strong generator of memorable characters, relationships and emotions, and while her protagonists have to (by their nature) be avatars, personifications of place, they remain distinct individual people, all different components of the melting pot of New York immigration. In this book, the only criticism I have, perhaps, is that we don't really get much beyond the sketch stage with some of the characters. One hopes that they will be developed in the next book. Overall, there is a lot of potential here but this didn't move me like her early novels, or amaze me like her most recent multi-award wining work. I guess we will have to wait and see how it develops...
N.K. Jemisin is probably the single most successful and talented fantasy writer out there at the moment, and this is the first in what she promises is a new sequence, the Great Cities Trilogy. In some ways, it's very different from all her earlier novels because this is not set in a fantasy world, but our own, or at least New York, which as any New Yorker will tell you (at great length) might as well be the world. This is a love story to New York, every bit as devoted as the Beastie Boys' 'To The Five Boroughs'. This is its strength but also its weakness. I wouldn't say it is parochial but if you're not a New Yorker or someone who knows New York well, its celebration of what often seems to outsiders to be well, a bit crap, can seem as self-involved as that famous New Yorker cartoon of the view from Manhattan across the Hudson. What opens the book up, and promises more from future volumes is two things. The first is the whole set-up, which is basically that at some point in their lifespan, cities are fully 'born' and generate an avatar that will speak for them to other cities, but that this transformation causes a rupture in the smoothness of the multiverse, a rupture that powerful, incomprehensible and seemingly malevolent Lovecraftian entities hate and want to close. This is good, but there have been lots of revisionings of Lovecraft (and more generally of American race-horror) of late from Matt Ruff's Lovecraft Country to Hari Hunzru's White Tears, so what does Jemisin add here? Well, the second element, which is the characters. Jemisin is very strong generator of memorable characters, relationships and emotions, and while her protagonists have to (by their nature) be avatars, personifications of place, they remain distinct individual people, all different components of the melting pot of New York immigration. In this book, the only criticism I have, perhaps, is that we don't really get much beyond the sketch stage with some of the characters. One hopes that they will be developed in the next book. Overall, there is a lot of potential here but this didn't move me like her early novels, or amaze me like her most recent multi-award wining work. I guess we will have to wait and see how it develops...