Australian Members - Page 1342

Napoli start at 2k I think (not sure if that was jacket or full suit) well worth it imo

I'll order one next time and give it a review

Yeah, sounds very interesting. Let us know what you end up getting Rob

And ties have picked a few Robert Talbot and Zegna with significant markdowns the past couple of years

If you can get an Orazio Luciano MTM suit for only 2K or even 3K, its a heck of a deal!

I don't know about pricing yet.

But I imagine a 2-Piece in Basic Cloth would very easily be over 3,000AU based upon what other Agents (ie. The Armoury) charge for that product.

Provided the pricing schedule is not ridiculous (> than what The Armoury charge), I'm all set to order something.

The rack on the left side which is about 6, the rack on the right is not. I think the left side was the "classic" and right side "contemporary".

BUT the guy there told me that in about two weeks both racks would be in this sale (after the spring racing promotion ends).

Eventually, their highest quality suits (which they did not yet have in stock) would be at 2 for 1500.

Shouldn't you be saving for your daughter's education?

LOL

 

 

ouch! haha 

The HC ties just arrived. Beautifully packed and presented. Very much looking forward to wearing them.

 

Jason was a pleasure to liaise with.

yeah thats the general thrust of what I'm on about.

Hard isn't just about contrast - all black always looks hard, funnily enough stark arctic white is always hard too. Off whites not so much.

Theres nothing intrinsically wrong with a hard look - if thats what you are after - but its generally an unapproachable look and doesn't invite people in. You have to work hard personally, and you can, to over come the overall effect of hard and repelling. (I'm thinking here of Horney's 3 basic modes Towards, Against, Away). Some people look inviting naturally, build, stance, face, colouring, eyes etc and they can dress hard and convey different meanings, others look hard and need to dress softer to convey humanity.

I used to be told I had dark penetrating,scary eyes that, combined with black hair and a swarthy appearance, put people off, (especially when I wore,shades black leather jacket on black jeans and black leather boots!), now thats alright if you want to put people off, or going to a gig at a sticky carpet pub, but , at least these days, I rarely want to push people away. I was most dramatically made aware of it some years ago when a well known feminist commented on a loose knitted grey woollen jumper I was wearing made her see/regard me as a different more approachable, less hard person, more trustworthy.

It all depends on context - I also love a hard look at times - especially in business city dress - and if its a group where everyone knows you well then it just looks pretty damn smart. If however you are meeting with a group for the first time you need to consider how you want to be seen and responded to. Sometimes if I'm representing an organisation, say up on stage giving a speech or presentation, handing out prizes, depending on the context, then the full hard rig is just right - it lend an air of responsibility, representing others NOT just myself, fiduciary duty, care, respect for the occasion, and so on.

My issue is people don't think about it enough and explore options.

In this respect I have long been influenced by the general thrust of what Goffman says.

Its also part of my trying to understand what might be an Australian approach to menswear (outside of the Billabong/Ripcurl/ Dads jeans/ t shirt / "I must be comfortable" aesthetic.

 

 

Hard or soft?

^^Definitely fall into Horney's 'against' mode.

Black hair? That must have been a long time ago!

Looking at films and trying to workout what is being conveyed by the clothes is a rewarding and educating experience. In modern movies (in old movies stars - males in particular - were required to supply their own clothes for the character - which is why, amongst other reasons, watching Cary Grant is useful) each piece of clothing is chosen by wardrobe/director to give meaning in context. Sometimes it will undercut dialogue and present a counterpoint and contribute to ambiguity in others it will be consistent and reinforce the dialogue and narrative drive and curve.

Its a long while since I watched CO The film.
But with a quick look at the snap above you can see a lot of contradictions - bowler hats are a symbol of London City Financial,and Guards, wear although originally a working class rural hat, braces - high waisted pants, violent blokes but drinking milk......