In the conversations I've had/read in the last few years concerning the greatest artists of the past few decades, SRV seems to get left out far too often. I don't know if that's because blues has fewer fans than other genres, that's he's been gone for 20 years, whatever- it's like no one my age or younger knows him other than maybe the name, and that's a tragedy. I first heard him when I was probably about 10... my dad was a big fan, so whenever we'd take his truck somewhere I'd be treated to this ballsy, bitching guitar wunderkind. I've got many a live cd and time after time, that guy puts on a show that utterly shames almost everything out there now. I like the blues, but I don't listen to typical treatments of it... he defined blues for me so most everything else sounds soft and not as heartfelt. He's also really underrated as a singer, I think he has a fantastic voice. Some great clips http://www.youtube.com/watch?v=tWLw7nozO_U 1:15-2:05 is just chill inducing perfection, like the whole song http://www.youtube.com/watch?v=SZoX6Q0UK8A Explaining some influences and playing some great riffs http://www.youtube.com/watch?v=aPHan...eature=related Title of the clip says it all
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Stevie Ray Vaughan
post #2 of 12
10/8/08 at 1:26pm
post #3 of 12
10/8/08 at 1:31pm
post #4 of 12
10/8/08 at 1:33pm
He was a great one, and certainly defined modern blues guitar. He loses points with music snobs because, as you mentioned, blues has fewer fans, but also because it's not really hotbed of musical innovation. The forms are fairly standard, the melodies are pretty standard, and he wasn't a particularly relevant musical force the way pop/rock musicians are and jazz musicians were. Even one of his greatest songs, his version of Jimi Hendrix's Little Wing, was a cover. Still, for what he did, few ever did better.
post #5 of 12
10/8/08 at 2:39pm
Quote:
He was a great one, and certainly defined modern blues guitar. He loses points with music snobs because, as you mentioned, blues has fewer fans, but also because it's not really hotbed of musical innovation. The forms are fairly standard, the melodies are pretty standard, and he wasn't a particularly relevant musical force the way pop/rock musicians are and jazz musicians were. Even one of his greatest songs, his version of Jimi Hendrix's Little Wing, was a cover. Still, for what he did, few ever did better.
good post.
post #6 of 12
10/8/08 at 9:20pm
post #7 of 12
10/9/08 at 3:13am
post #8 of 12
10/9/08 at 6:53am
post #9 of 12
10/9/08 at 1:37pm
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I've listened to his version of Little Wing about a million times. I haven't heard any other artist do the song justice since Vaughan.
Another guitarist that isn't mentioned much anymore is David Gilmour. The solo at the end of Comfortably numb is moving. I wish they didn't fade it out at the end. Pink Floyd was considered rock but Gilmour played the blues.
Another guitarist that isn't mentioned much anymore is David Gilmour. The solo at the end of Comfortably numb is moving. I wish they didn't fade it out at the end. Pink Floyd was considered rock but Gilmour played the blues.
post #10 of 12
10/9/08 at 1:45pm
Maybe I've got it wrong but I heard that Clapton once refused to go on after SRV at one concert and I saw the quote he gave, something to the effect of "what am I supposed to do after that?"
His Voodoo Child cover on Live Alive is spine tinglingly awesome and has been in constant rotation in my vehicle for 7 years now. BTW, the band Pride and Joy in Austin covers his work like none other.
His Voodoo Child cover on Live Alive is spine tinglingly awesome and has been in constant rotation in my vehicle for 7 years now. BTW, the band Pride and Joy in Austin covers his work like none other.
post #11 of 12
10/9/08 at 1:50pm
post #12 of 12
10/9/08 at 2:08pm
Quote:
Maybe I've got it wrong but I heard that Clapton once refused to go on after SRV at one concert and I saw the quote he gave, something to the effect of "what am I supposed to do after that?"
His Voodoo Child cover on Live Alive is spine tinglingly awesome and has been in constant rotation in my vehicle for 7 years now. BTW, the band Pride and Joy in Austin covers his work like none other.
His Voodoo Child cover on Live Alive is spine tinglingly awesome and has been in constant rotation in my vehicle for 7 years now. BTW, the band Pride and Joy in Austin covers his work like none other.
Jimmie Vaughn's band, the Fabulous Thunderbirds, were said to be the only opening band the Stones were ever intimidated by...
Josh Alan Friedman's book Tell the Truth Until They Bleed has chapters devoted to bassists Keith Ferguson (T-Birds) and Tommy Shannon (SRV) that make for interesting reading.
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