Over the past four years I've worked with Chan to refine the fit and style of my jacket pattern. I think we're finally getting close to what I like. Here's a quick synoposis, starting from the most recent. Perhaps this will be helpful to others who are considering a jacket, whether from Chan or someone else.
The latest effort is made from a checked wool from Porter & Harding's Glorious Twelfth bunch.

The previous jacket is a slightly lustrous silk/wool blend from Holland & Sherry. This has

The first jacket is an Italian wool/cashmere in autumnal colors. The left sleeve remains a work in progress. First the left shoulder was too bulky. Once it was fixed the left sleeve was too short. Last month I had it lengthened and now it's too long. Back to the local tailor it goes for what I hope will be the final adjustment.

The latest effort is made from a checked wool from Porter & Harding's Glorious Twelfth bunch.
- open patch pockets, inset boat-shaped chest pocket
- 3.0 inch lapels
- 2 button
- three sleeve buttons, horn
- full lining
- double vents
- narrower sleeves, closer fitting through the body
- same light canvas as before

The previous jacket is a slightly lustrous silk/wool blend from Holland & Sherry. This has
- slanted flapped pockets
- 3.25 inch lapels
- 2 button
- four sleeve buttons (smoked mother of pearl)
- partial lining, for coolness
- double vents
- the lightest canvas
- more open quarters

The first jacket is an Italian wool/cashmere in autumnal colors. The left sleeve remains a work in progress. First the left shoulder was too bulky. Once it was fixed the left sleeve was too short. Last month I had it lengthened and now it's too long. Back to the local tailor it goes for what I hope will be the final adjustment.
- flapped pockets
- 3.5 inch lapels
- 3 button (not fond of the top button hole on the lapel)
- four sleeve buttons, horn
- full lining
- double vents
- Chan's default weight canvas
- Ticket pocket







