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The Rubinacci Thread.

whnay.

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Originally Posted by mafoofan
What about on your dinner jacket? It's for pleasure, not business, yet it's also not casual . . . your system would drive me mad.
Shirt sleeves for the dinner suit - its my one exception. Did I show it to you?
 

teddieriley

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Originally Posted by whnay.
Shirt sleeves for the dinner suit - its my one exception. Did I show it to you?

You mean us? No. Please poast. kthx.
 

forex

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Can anyone please explain what a shirt sleeve is? I think I know it but I might be wrong, pictures would be nice along with explanation.
 

TRINI

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Originally Posted by forex
Can anyone please explain what a shirt sleeve is? I think I know it but I might be wrong, pictures would be nice along with explanation.

Turn to your right and look at where your shirt's sleeve meets the body.

See the way it's stitched in there?

Now picture that on a sportcoat.
 

whnay.

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Originally Posted by teddieriley
You mean us? No. Please poast. kthx.

Its in this thread - do a search. I wore it to a wedding in January 2010.
 

forex

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Originally Posted by TRINI
Turn to your right and look at where your shirt's sleeve meets the body.

See the way it's stitched in there?

Now picture that on a sportcoat.


With no padding/wadding? Should the coat be unstructured as well?
 

whnay.

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Originally Posted by forex
With no padding/wadding? Should the coat be unstructured as well?

Yes, very little padding. Its typically unstructured but not obnoxiously so (it still has a canvas). It would strike you as casual if you see it in person.
 

JPHardy

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Originally Posted by whnay.
Its in this thread - do a search. I wore it to a wedding in January 2010.

p1010524.jpg
 

aj_del

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Originally Posted by aj_del
Why do some shoulders on R suits look like the left most in the pic below, something like a shallow horizontal S

Pic from Esquire
esq-how-it-should-fit-clothing-chart-2-0909.jpg


Originally Posted by mafoofan
Because Esquire is often wrong.

So, the left most shoulder is perfectly acceptable, maybe even desirable ?
 

whnay.

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Some details that I probably left out (why do I look so depressed?):

Shirt: T&A (Ribbed front, cotton voile fabric)
Studs: Vintage (Black onyx on sterling silver - acquired at a antique shop that morning in New Orleans)
Cufflinks: Budd (black and white checkerboard)
Bowtie: LH (grosgrain)
Pocket square: T&A (white silk with black edges)
Cummberbund: LH (grosgrain)
Suspenders: Albert Thurston for T&A (diamond pattern in black silk)
Shoes: Edward Green (Carnegie in patent leather)
 

TheFoo

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Originally Posted by whnay.
Shirt sleeves for the dinner suit - its my one exception. Did I show it to you?
You did--I just didn't remember how you had the sleeves set. What I do remember is the blackness of the black of the cloth. Even under artificial lighting, it looked downright inky.
Originally Posted by forex
With no padding/wadding? Should the coat be unstructured as well?
Whether a sleeve is set as in a shirt (spalla camicia) has nothing to do with the amount of padding or wadding in the shoulder, or whether the jacket is unstructured. However, Rubinacci jackets are typically very soft and light, though still structured, and have minimal wadding or padding in the shoulder. On mine, you can feel a small triangle of very thin wadding behind the shoulder seam at the armscye. It's a myth that a "Neapolitan" jacket is an unstructured one.
Originally Posted by aj_del
So, the left most shoulder is perfectly acceptable, maybe even desirable ?
Well, it's a representative drawing, so it's hard to answer your question. However, I think that general profile, with an extended shoulder where the armscye begins some point after the shoulder's drop-off, can be perfectly correct. Esquire's advice is entirely geared toward RTW. They are not accounting for the different shoulder treatments that are possible in bespoke.
 

JPHardy

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Originally Posted by whnay.
Some details that I probably left out (why do I look so depressed?):

Shirt: T&A (Ribbed front, cotton voile fabric)
Studs: Vintage (Black onyx on sterling silver - acquired at a antique shop that morning in New Orleans)
Cufflinks: Budd (black and white checkerboard)
Bowtie: LH (grosgrain)
Pocket square: T&A (white silk with black edges)
Cummberbund: LH (grosgrain)
Suspenders: Albert Thurston for T&A (diamond pattern in black silk)
Shoes: Edward Green (Carnegie in patent leather)


If the bow-tie was't so perfect, it would look perfect. If that makes sense.
 

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