fritzl, always admired craftsmanship of holzgennagelt, double sole, goyser et al, but do not have slightest idea about unexplained predominance of gibsons over oxfords that was so zealously pursued by that particular school of eminent craftsmen. gibsons by virtue are easier to fit, then three piece lasts pretty hard to come by elsewhere but in Hungary/Austria further contributes to what for me at least is a puzzle (in capital).
is there any story that offers sort of an understanding to that phenomenon?
