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Your Favorite Pianist(s) - Page 5

post #61 of 73
[
It is so obvious that I feel uncomfortable to verbalize this.[/quote]

you seem absolutely comfortable to verbalize anything.
post #62 of 73
Quote:
Originally Posted by dkzzzz View Post
One does not have to be musically trained (as pianist or violinist) to appreciate the great performers.
The opinions of performances however are not absolute. They are (opinions) are matter of taste, just like in literature. Not liking someone's book does not necessarily mean that the writer is not worthy. It only means that his aesthetics or ideas are not congruent with mine.
In case with musical performers the categories in which they could be jugged are even more limited since they are not creators(composers) but merely interpreters of someone's ideas. Their ideas might appear foreign or not aesthetically pleasing to some.
Thus "intellectually advanced" audience feels no need to "pardon" anyone for their opinions, but merely consider them or remain convinced otherwise.
It is so obvious that I feel uncomfortable to verbalize this.


According to your theory, everything is subjective, then what accounts for the " great performers"

One does not have to be trained in any particular field in order to appreciate anything in particular.

The truly intelligent audience understands that opinions differ; therefore, would limit expression in opinions.

Being a "musical performer" takes great courage and devotion, sometimes more than any employment pursuit in any field. They are not merely interpreters.

The "intellectually advanced audience feels no need to pardon anyone's opinions, only when the opinion expressed is not intellectual then they shall be pardoned.
Even the intellectually advanced audience wouldn't mind be parson once in a while because they understand the differences.
post #63 of 73
Quote:
Originally Posted by Full Canvas View Post
Glenn Gould
______________


Glenn Gould from Toronto the Good.
post #64 of 73
Quote:
Originally Posted by dkzzzz View Post
In case with musical performers the categories in which they could be jugged are even more limited since they are not creators(composers) but merely interpreters of someone's ideas.

Merely?

And a piece of music is just someone's ideas?

Mon dieu... I hope you know what you are saying.
post #65 of 73
Alfred Brendel (A god.)
Emanual Ax (Who plays everything from Mozart to John Adams with great intellect.)
post #66 of 73
Did anyone hear the story on NPR about the Polish janitor in Scotland who was found practicing in church (after having asked for permission) and turned out to be a trained pianist?
post #67 of 73
post #68 of 73
Quote:
Originally Posted by clarinetplayer View Post
Alfred Brendel (A god.)
Emanual Ax (Who plays everything from Mozart to John Adams with great intellect.)

Brendel is a GOD. I'd add Richard Goode to your list.
post #69 of 73
post #70 of 73
you have a very beautiful son. very cute and talented.

i am actually myself trying to learn that chopin waltz currently . good luck in all his endeavours.
post #71 of 73
thanks! we are very blessed as a family...

as for the play, i wished i could do a little chopin too, but once those 2 hands start to have different speeds, i just cannot continue... god bless those who can!

paul


Quote:
Originally Posted by shoe View Post
you have a very beautiful son. very cute and talented.

i am actually myself trying to learn that chopin waltz currently . good luck in all his endeavours.
post #72 of 73
Keith Jarreth, anyone has got some more stuff that sounds like him soloing?
post #73 of 73
SF's favorite pianist in a series of interviews:

Part 1
Part 2
Part 3 coming soon.
Quote:
EH: Who were your teachers at Curtis and Juilliard, and what can you tell us about them as teachers and pianists ?

Attwood: Seymour Lipkin is probably most well known as a Beethovenian. As much as I admire his Beethoven playing, I was most captivated by his Mozart and Schubert. I think that’s where he was really top-notch. I remember once when he played the Mendelssohn Gm concerto. It was fantastic - rhythmically dynamic playing, a strong, good sound. It’s funny now – we’re on such good terms, but he was really rough on me. Every week, people could hear my lessons down the hall cause he’d be screaming so loud. The funny thing is that I thought I’d be studying with Franck, cause he was the one who encouraged me to audition. But the way it works at Curtis is, whoever wants you – you don’t pick them, they pick you. For some reason, Lipkin picked me, and at one point I almost asked him, ‘why did you pick me if you hate my playing so much ?’ (laughs).

--Andre
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