Hendrix, does the Goiser stitch go with a welt?
Quote:
Originally Posted by
bengal-stripe 
Surely, the original version of a Norwegian must come from Norway. Here is
Jan Petter Myrhe's version (the only Norwegian shoemaker myself, or any other member of this forum, knows). His version is much closer to Edward Green than Vass. He utilizes a heel counter and avoids the clunky high-walled last as well as the raw turned-up leather edges, which dominate the Austro/Hungarian version. Myrhe being Norwegian, must count for something.
http://www.styleforum.net/t/12282/let-me-introduce-myself-j-p-myhre-bespoke-shoemaker#post_141937
It might be, the Austro/Hungarian version is nothing but a bastardisation and simplification of the Norwegian original. It might be in old Norway they were two different versions around, one for the peasants and one for smart town folks.
Only a Norwegian shoe historian can tell us what the distinctive features of a Norwegian shoe are.
Quote:
Originally Posted by
fritzl 
sure. vass' rendition is to be close to the original which is a mocassin like style as stated in vox's write up, nothing else. actually, it depends on the last, not? look out for gdl203's and we can talk again.
nothing austrian-hungarian about the norweger. afaik, it initally found his way in our terroir as a boot, a working boot and got urbanized. i'll check that, mebbe.
Guys, I found this very interesting explanation of the 'Norweger' style. Looks like it did indeed come from Norway to GB and the States
In the late 19th century, fishermen and farmers in Aurland and the Sognefjord area in Western Norway were known for making light moccasin style shoes, initially for their own use, but occasionally for sale, which developed into a cottage industry.
In the second half of the 19th century, there was an influx of upper-class British sports salmon fishermen to the rivers of coastal Norway, particularly western Norway. The salmon season would start in mid-summer, and would last into early autumn. The “salmon lords”, as they were called locally, wanted a light shoe that could easily be slipped on and off during riverside fishing.
Two villagers, Vebjørn S. Vangen and Andreas S. Vangen, started making and repairing shoes for the British fishermen, until production of the light moccasin became a full-time employment for them.
Another villager, Nils Tveranger, was the first to start regular production of the model still known in Norway as the ”Aurland shoe”. It was exhibited at the Paris exposition in 1900. The Aurland shoe obtained its present form in the twenties.
After WWII, production increased greatly, and in the 1950’s around 90 people in the village were employed in shoe production, in 12 different small workshops in the village. This industry dominated the life of the entire village, just on the strength of employment numbers. The present firm called “Aurlandsko” was established in the late forties.
In the late sixties, a hydro-electric power-plant was built near Aurdal, and most people in the village found better-paid work at the power-plant. The factory presently has six employees. Production, which in the early years was mainly done in private homes and small shops, is today centralized in a modern factory.
Bass “Weejuns”: In 1876, George Henry Bass created the G.H. Bass shoe company, and in 1910 he introduced the camp “Mocc”, a soft leather moccasin that challenged the hard dress shoes of the day. In 1936 the Bass Shoe Co introduced an adaptation of a Norwegian fishermen moccasin style shoe named “Weejun” combining “Norwegian” and “Injun”. Weejuns are also referred to as penny loafers because of a semi-pocket featured on the vamp, into which a penny can be slipped.
BTW the Aurland shoe factory is still there in Norway, as a 'museum-factotry' still producing the original Norweger.. http://www.visitflam.com/aurland-shoe-factory/
Sos about the non-EG discussion, but's interesting.