• Hi, I am the owner and main administrator of Styleforum. If you find the forum useful and fun, please help support it by buying through the posted links on the forum. Our main, very popular sales thread, where the latest and best sales are listed, are posted HERE

    Purchases made through some of our links earns a commission for the forum and allows us to do the work of maintaining and improving it. Finally, thanks for being a part of this community. We realize that there are many choices today on the internet, and we have all of you to thank for making Styleforum the foremost destination for discussions of menswear.
  • This site contains affiliate links for which Styleforum may be compensated.
  • STYLE. COMMUNITY. GREAT CLOTHING.

    Bored of counting likes on social networks? At Styleforum, you’ll find rousing discussions that go beyond strings of emojis.

    Click Here to join Styleforum's thousands of style enthusiasts today!

    Styleforum is supported in part by commission earning affiliate links sitewide. Please support us by using them. You may learn more here.

Post your photography skills! (self-gloss)

Pieceofsand

Distinguished Member
Joined
Dec 3, 2010
Messages
1,074
Reaction score
239
Originally Posted by whodini

J3888x2592-00377_2.jpg


 

trader

Senior Member
Joined
Aug 7, 2008
Messages
581
Reaction score
3
Originally Posted by jefferyd
Me too.

I've been lugging that and the Sigma 30mm f/1.4 around but am flirting with a walking-around lens instead. I like the idea of the 24-70 f/2.8L but not the price tag


85 is my favorite too for portraits. Next is 35mm which I use as a general walkaround. Picking up a 135 today to complete the holy trinity
smile.gif


24-70 is overrated IMO. You won't like it if you're used to the quality and speed of primes. Soft wide open or at 70. I guess it's good if you "need" to get a shot like a photo journalist.

Some shots from the last couple of months with an 85. They're all really heavily cropped since they were shot in portrait orientation but I had to resize to those dimensions.


IMG_0842 by table4one?, on Flickr

IMG_2006 by table4one?, on Flickr

IMG_2411 by table4one?, on Flickr

IMG_3004 by table4one?, on Flickr

IMG_1517 by table4one?, on Flickr
 

in stitches

Stylish Dinosaur
Spamminator Moderator
Moderator
Supporting Member
Joined
Oct 10, 2010
Messages
66,397
Reaction score
33,106
very noice guys
 

Crane's

Distinguished Member
Joined
Jun 4, 2008
Messages
6,190
Reaction score
518

Big A

Distinguished Member
Joined
Jan 24, 2008
Messages
2,452
Reaction score
878
I like the double exposure ....
6265a26a-cfbb-347c.jpg
6265a26a-cfd2-3e61.jpg
Or not ...
6265a26a-d00e-0b2b.jpg
 

NOBD

Distinguished Member
Joined
Oct 30, 2008
Messages
8,706
Reaction score
6,213
How's this for shallowness...

HdP7a.jpg



Or even more extreme (Big A watching?)

NB3d4.jpg
 

whodini

Conan OOOOOOO"BRIEN!
Joined
Jul 16, 2006
Messages
17,950
Reaction score
190
NOBD, what made you decide on the 60D? I'm looking to upgrade but I'm still debating if it's worth the extra $ to jump out of the Rebel series when the specs for the T2i/3i are fairly similar to the 60.

Those shots are intense, btw.
 

Crane's

Distinguished Member
Joined
Jun 4, 2008
Messages
6,190
Reaction score
518
Originally Posted by il ciclista
nice, I've never shot IR, do you just put a filter on it or do you convert the camera?
I use filters. An R72 is the most common filter used. There are other filters that have different cut off points. When you get around 900nm things get pretty weird and expensive. Some of these higher cut off filters cost 300 bucks. Ouch. For B&W shots you don't do anything with the white balance. On a bright day start out with f8 at about 15 seconds and see what you get. Adjust one way or the other for exposure. For color digital IR you must set the white balance. Do a manual WB shot at lush green grass in blazing sun. It'll be around 2800k with a G8 or so filter. You have to post process these images. At the very least you flip the R and B channels. That gives you the black blue sky and white with a red tint vegetation. You might have to kill cyan altogether as well. Now if you get certain cameras modified you can shoot at whatever speed the camera meters. There's basically the same amount of IR light as there is visible so it's the same same. When they modify the camera they also set the focus for IR light. Correct focus for IR is short, ie focus at about 9 feet for a subject 10 feet away. (unmodified camera) Don't play with wide open f stops either. You'll get some real funky ghosting in a strange purple flair. f8 to f22 works really well. If you want it grainy like film IR then set the ISO to 400 to 1600. Film IR is a whole different animal but once you get the hang of it that's where you'll get the real deal IR. I used to photograph crop fields in color film IR. If the field was predominately red it was healthy. If you got a bunch of yellow you had a problem. It meant the plants were stressed or diseased. You could not tell the difference between the plants if you viewed them side by side in visible light. Back in the day that's how it was done. Now it's done with IR satellite imagery. Anyway once you try it you'll be hooked. Once you get that down pat then you can go play in the UV side of life. That's where things get real interesting.
 

Featured Sponsor

How important is full vs half canvas to you for heavier sport jackets?

  • Definitely full canvas only

    Votes: 91 37.6%
  • Half canvas is fine

    Votes: 90 37.2%
  • Really don't care

    Votes: 25 10.3%
  • Depends on fabric

    Votes: 40 16.5%
  • Depends on price

    Votes: 38 15.7%

Forum statistics

Threads
506,846
Messages
10,592,343
Members
224,326
Latest member
submach1n3
Top