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Frank Gehry to Design a Building in Sydney - Page 3

post #31 of 36
Thread Starter 
The Sydney Morning Herald architecture critic gets stuck into Frank.

http://www.smh.com.au/opinion/societ...112-19o1y.html

Having seen the doco on him I must say that I found him very interesting. Coming from a city with both the most beautiful building of the 20th century - the Opera House - and a good example from Renzo Piano and then looking at the rest of the crap it will be interesting to see what Frank comes up with.

Quote:
Originally Posted by StephenHero View Post
It's actually pretty easy to understand when you strip it down. Here's an example. Imagine the archetypal house form below which has a longstanding cultural precedent. If you were to ask kids to draw a house, they'd draw one like this below. But if they had never seen a house and you described what its purpose was and then asked them to draw one, they probably would not draw this form. Their drawings would reflect all they knew about a house through the description. Their mind has been influenced by the formal meaning of "house" to coincide with the examples of houses they've seen. Deconstructivists see this as a compromise of the architect's purpose to design better buildings. To the same extent, architects have historically designed houses according to that form, while largely neglecting the purpose of the house. It's a mechanical reaction that ignores designing a better experience. Deconstructivists simply try to reinterpret conventional associations between architectural elements. So instead of a floor that is connected to the wall perpendicularily with two windows cut out, could the wall be separated from the floor and elevated above eye level to create an expansive void instead of the windows? Or instead of a ceiling attached to the wall, could the ceiling be held up above the wall to allow a gap for light to enter? Basically they just attempt to explode hermetic conventional forms into more fluid, transparent, and abstract buildings that hopefully provide richer experiences inside. Instead of designing intuitively with subconscious influences like classical houses, they try to design analytically. But of course it doesn't always work and there are some really bad Deconstructivist cases. But you can catch the drift in these two images from Peter Eisenmann.


Thanks that was very helpful to an 'interested in architecture' layman.
post #32 of 36
Quote:
Originally Posted by meister View Post
The Sydney Morning Herald architecture critic gets stuck into Frank.

http://cgi.ebay.com.au/ws/eBayISAPI....=STRK:MEWAX:IT

Having seen the doco on him I must say that I found him very interesting. Coming from a city with both the most beautiful building of the 20th century - the Opera House - and a good example from Renzo Piano and then looking at the rest of the crap it will be interesting to see what Frank comes up with.



Thanks that was very helpful to an 'interested in architecture' layman.

Wrong link.

Thankfully the building will be away from the Harbour and the Opera House. I f*cking loved seeing that skyline every morning when I lived there.
post #33 of 36
Also, I'm willing to be he tries to do something that mimics the opera house and fails horribly.
post #34 of 36
I'm one of Frank's fans. I look forward to seeing this design.

Sculptural buildings of the sort Gehry designs were becomming popular in architecture school when I was a student. It took me a while to warm up to them ... although I never adopted that approach for my own work.

I remember one school competition that was juried by Paul Rudolph, Michael Graves, and Gehry. Graves and Gehry were very into the sculptural designs ... while Rudolph was into his solids and voids. Rudolph was being overruled by the other two and wasn't taking it well.

At the time I was more a fan of Rudolph ... but as time went on ... things changed. By the time I was an intern ... I was at a NYC firm that was known for being "functionalists in drag." Well, that's what Michael Sorkin said.
post #35 of 36
Thread Starter 
post #36 of 36
I'm pleased to say that the UTS building won't be anywhere near the 'picturesque' parts of Sydney; rather it'll be tucked away in some little armpit-like nook where people passing by will only have a few brief moments to gasp before moving on to somewhere better.
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