anyone know of a color film that's more saturated and pastel looking? or is that achieved through the development process?
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post #17 of 24
3/25/10 at 5:54pm
Quote:
Unrelated to your question, but I once took film photos of a gratituous sexual act an ex and I performed and the guy at the photomat refused to develop them, plus gave me a stern lecture to boot. 
One of the many hazards of not upgrading to digital.

One of the many hazards of not upgrading to digital.
I can't find the story now, but a couple of years ago a guy was developing a bunch of pictures from the family trip. A couple of them were of his son (can't recall exact age, but very very young) dancing around naked on the beach. He had them developed, and when he did was arrested for making child porn.

post #18 of 24
3/25/10 at 8:12pm
- robbie
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post #19 of 24
3/25/10 at 8:17pm
Quote:
anyone know of a color film that's more saturated and pastel looking? or is that achieved through the development process?
Don't know about pastel-looking, but Kodak 'VC' negative films are their vivid color line. Development of color film is standardized by chemistry, it doesn't alter characteristics the way B&W film can be.
True B&W is a treat (go for Tri-X, HP5+, FP4+ or Plus-X, skip the new school films), but getting it developed and printed is a whole different ballgame and will probably require sending off to a pro lab depending on where you're at.
post #20 of 24
3/25/10 at 8:44pm
post #21 of 24
3/25/10 at 10:55pm
This is not real B+W film. Ilford has a Delta series that's not bad if one likes mild grain. I was always partial to Efke/Adox film, which is a high silver content composition with rather low ISOs. I used to develop it myself, but then got lazy. I still have all the equipment, however.
post #22 of 24
3/25/10 at 10:58pm
post #23 of 24
3/26/10 at 7:44am
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Ilford XP-2 Super 135-36 Black & White (Chromogenic C-41) Print Film (ISO-400)