THE PRESTIGE was actually about something, like all of Nolan's pictures. In this case, the cost of greatness and the necessity of sacrifice for achievement. THE ILLUSIONIST, like many studio films (though it was independently financed) had the pretense of being about something, but it wasn't. I hope THE PRESTIGE will be rediscovered; it may be Nolan's masterpiece. Even though it doesn't have the disappearing pencil trick.
post #16 of 29
6/9/09 at 11:40pm











