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Trying to get cultured - need advice - Page 2

post #16 of 33
Read Umberto Eco novels.
post #17 of 33
Quote:
As a summer project I'm trying to learn (something) about the art world, architecture, wine, and classical music. Trite I know, but I feel these are topics a man should be able to discuss semi-competently. Any advice on books or other resources to pick up in this quest? Many thanks.
These are boring topics. better learn about clothes, shoes and watches.
post #18 of 33
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(TheRookie @ June 23 2005,03:36) As a summer project I'm trying to learn (something) about the art world, architecture, wine, and classical music. Trite I know, but I feel these are topics a man should be able to discuss semi-competently. Any advice on books or other resources to pick up in this quest? Many thanks.
These are boring topics. better learn about clothes, shoes and watches.
Are you sure you're French?
post #19 of 33
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(TheRookie @ June 22 2005,18:36) As a summer project I'm trying to learn (something) about the art world, architecture, wine, and classical music. Trite I know, but I feel these are topics a man should be able to discuss semi-competently. Any advice on books or other resources to pick up in this quest? Many thanks.
it does seem trite unlesss you have a genuine interest in these things, which, if you did, you would have no problem learning about them. i took art history and architectural history classes in college because i was interested in them. i go to art museums because i like art, not because i'm trying to gain knowledge about it. i know a little about wine because i like to drink it and i can talk about the wines i like. i used to listen to classical music as kid but i don't like it anymore. i still like opera though. i'm just saying that you should get into these things because you enjoy them, not for knowledge or to impress anyone. that's lame. be yourself.
Re: your last sentence, what does it even mean to be yourself? That's trite. Though I half-way agree with you that knowledge for the sake of knowledge is insufficient.
post #20 of 33
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(ernest @ June 25 2005,21:17) These are boring topics. better learn about clothes, shoes and watches.
Are you sure you're French?
strangely i didnt see a statue of Ernest at the Louvre on my trip to Paris last month
post #21 of 33
Thread Starter 
First, thanks for all the great advice. It has been duly noted. To matadorpoeta's comments, yes, there is a genuine interest. I love going to art museums and on architectural tours in the various cities we visit. The problem I run into is that I see the stuff and find it visually interesting, but I don't really "know" what I'm looking at and further can't competently describe it to others after the fact. As to the wine, I realize that it needs to be experienced and not read about, but I'd like to at least be able to know the differences beyond white and red so that I don't start going to tastings and looking like a redneck boor. Thanks again gentlement, the suggestions are much appreciated.
post #22 of 33
Quote:
Quote:
(TheRookie @ June 23 2005,03:36) As a summer project I'm trying to learn (something) about the art world, architecture, wine, and classical music. Trite I know, but I feel these are topics a man should be able to discuss semi-competently. Any advice on books or other resources to pick up in this quest? Many thanks.
These are boring topics. better learn about clothes, shoes and watches.
Ahh so that he can buy into the mistaken belief that culture can be physically manifested?
post #23 of 33
For classical music, forget the theory at first, just listen to it. I have to disagree with an earlier poster in that I think Tchaikovsky is probably the most accessible composer. Mozart is probably more well-known to people that know absolutely nothing about classical music, but when it comes down to listening, I think that more novices would tend to get hooked on classical through Tchaikovsky. I've actually read that somewhere too. I now own over 70 classical CDs, all purchased within the past year. I started with buying everything by Tchaikovsky after hearing the Violin Concerto in D major. The following is what really got me hooked: Tchaikovsky: Piano Concerto No. 1 in B Flat Minor Violin Concerto in D Major Romeo and Juliet Rachmaninov: Piano Concerto No. 2 in C Minor Wagner: Siegfried Idyll Bach: Italien Concerto (which was actually the last thing i attempted on the piano before quitting) Brandenberg Concerto No. 3 in G Major My collection now covers everything, but I have a particular fondness for the great violin and piano concertos. I really enjoy the virtuoso performances given by some of the greats. Believe me, it's incredible how good some really old recordings are. Some great performers(no they don't all sound the same and it's not meant to be all-encompassing): Violin: Heifetz, Anne-Sophie Mutter, David Oistrakh, Nigel Kennedy, Ishtak Perlman Piano: Horowitz, Sviatoslav Richter, Rubinstein, Glenn Gould, Van Cliburn, Argerich, Ashkenazy, Serkin Labels: Play it safe and stick to the likes of labels like Deutsche Grammophone, EMI, and Decca. DG accounts for a large portion of my CDs. I also really like the RCA Living Stereo series of SACDs. The first one i purchased was the Tchaikovsky/Rachmaninov SACD with both of the concertos listed above, then I bought the rest (there'a about 15 total). Also, don't be afraid to purchase CDs with some overlap, you'll find that different artists and conductors can have a very different sound. Try to get some variety at first though. I also hope you have a worthy stereo because it really does make a huge difference with classical music. I recently heard the Rach 2 on cheap speakers and was disgusted by how muddled the piano sounded.
post #24 of 33
Or you can be an expert on 80s pop, like Patrick Bateman.
post #25 of 33
Culture? I heard New Orleans has that. Not sure what the hell it is, though. Good food, good drinking, and live music? I can go anywhere for that shit.
post #26 of 33
There's a bit of a difference between being cultured and knowing trivia. Reading about things may give you knowledge, but in the end you're only gaining trivial facts from someone elses perspective.

*Just to clarify, reading poetry = experiencing that art (as it is a written artform). But reading "about" poetry without having experienced the poetry means that you know trivia about a subject. Don't get me wrong, I'm not discounting reading theory/criticisms of any given subject, but you need a foundation to build that upon."

Globetrotter made the best suggestion imo. Travel and experience things. No, you don't need someone else to tell you what you're experiencing. As you discover things that interest you, then go ahead and find some material on them to expand your understanding of what you experienced.

Also, and pay attention here, "being cultured" is not something you just do and call it a day. It's a lifelong process of experience, discovery, and sometimes appreciation. That last bit may need some qualifying as some people you meet will consider you uncultured, because you don't appreciate something that they feel you should (happens often in the contemporary art world sadly).

My one cent. Sorry, I have to keep my other cent due to the current financial situation.
post #27 of 33
it's great when spam bumps old threads and I get reminded of long lost members. I wonder what happened to alchimiste....
post #28 of 33
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Originally Posted by aybojs View Post
I'm in the midst of working on a pretty exhaustive fine arts study project; right now I'd rather not go into sources for certain reasons, but maybe in a week or two I should be able to recommend specific texts for general and specific study.

One tip for classical music: learn some basic theory and try to get to a point where you can at least read music. I may just be stuck up from my old days as a coerced-by-parents child violinist, but I think that's the bare minimum for anyone to be able to be considered "cultured" as far as music goes.

Also, having some understanding of sonata form and variations form will help greatly with active listening to Beethoven and Mozart, and fugue form for Bach. This will help him make sense of what's actually going on in the music.

http://en.wikipedia.org/wiki/Sonata_form

http://en.wikipedia.org/wiki/Variati...Variation_form

http://en.wikipedia.org/wiki/Fugue

Of course, all of this presupposes understanding of the basics of keys and modulations. I don't think it's necessary for a casual listener to know how many sharps there are in an A Major scale, though (considering this man is trying to get an accelerated familiarity with European Fine Culture in the space of a few months.)

At the risk of sounding glib, if you just want a dabbler's knowledge of Classical music, stick to the Big Three to begin with, although listening to Classical music radio will help fill in some of the gaps.

I'll be emphatic on this point, however: Classical music, especially at the level of complexity of the greats, demands your full attention. That is, you listen to it sitting in front of your stereo, and not while you're driving, or as background music for dinner.
post #29 of 33
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Originally Posted by m@T View Post
it's great when spam bumps old threads

Whoops!
post #30 of 33
Edit: Oops. Didn't read above. One more opinion on classical music, I would start with stuff you have heard before but probably never knew the names of. It makes everything more accessible in the beginning. Bach: - Toccata and Fugue in d minor - Cello Suite number 1 - Prelude Richard Strauss - Also Sprach Zarathustra Beethoven - Symphony number 3,5,6,9 Holst - Mars Every John Williams score. They are just blatant ripoffs of famous classical pieces, but oh so fun to listen to.
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