I bought some antiquties, what can the SF collective tell me about them?

Thomas Mathews Rooke is best known as Burne-Jones’s studio assistant who worked for ‘the master’ for almost thirty years, and made an invaluable record of Burne-Jones’s conversations in the last years of his life.(1) He was also an interesting painter in his own right, producing imaginative and religious subjects in oils together with watercolours of old buildings. He received his artistic education at the South Kensington and Royal Academy Schools and in 1869 applied to work for Morris and Company. He was deputed to Burne-Jones’s studio where he remained until the end of Burne-Jones’s life. His own religious subjects had some success, for instance ‘The Story of Ruth’ was bought for the Chantrey Bequest in 1877, and is today in the Tate Gallery. In 1878 Burne-Jones recommended him to Ruskin who was looking for artists to record old buildings threatened with demolition or restoration. Until 1893, Rooke spent half his time working for Ruskin. His watercolours are now in the Ruskin Museum, Sheffield. He produced a further series for the Society for the Preservation of Pictorial Records of Ancient Works of Art. These are in the Birmingham City Museum and Art Gallery. Rooke was elected Associate of the Royal Society of Painters in Watercolours in 1891 and Member in 1893. He was also involved in the Arts and Crafts Movement, and was a founder member of the Art Worker’s Guild in 1884. He had a gentle unassuming personality; Burne-Jones wrote of him to Ruskin: ‘Also there is a very high place in Heaven waiting for him and He Doesn’t Know It’. He died in his hundredth year in his home in the ‘aesthetic’ suburb of Bedford Park. Works by Rooke were included in the Last Romantics exhibition at the Barbican Art Gallery, London (1989).