Quote:
Originally Posted by
edinatlanta 
I was speaking about Kafka's the trial (not sure what's up with my existentialist bent lately. But I mean, does it matter? I mean, nothing will change...). I don't know, I found the character study great, I just have a hard time agreeing with the notion we lead an absurd life (even though I find such arguments very compelling). Maybe I don't want to believe those arguments. Let me sleep and hopefully form a cogent thought on the book and I'll be back...
It helps to simplify matters by defining terms. What does Camus mean when he says the life is absurd? It's not that life is necessarily bizarre or full of illogical occurrances. It's that it lacks intrinsic meaning. Why is this so? First, Camus believes in an absent God. It could either be that God does not exist, or merely that God does not interfere in the affairs of men. Thus, there is no pre-ordained plan, no transcendent source of moral law, no higher authority. Second, man suffers and what's more, he is mortal. In fact, man suffers
because God is absent, since there is no afterlife. As a result, one's endeavours are ultimately meaningless. What to do? There is, of course, the nihilistic, defeatist response: kill yourself. Camus rejected this, which is why the fundamental question of his essay on the myth of Sisyphus is whether suicide is justified or not. He eventually decides that it isn't, partly because he's rebellious by nature, but also because he believes that people can
create meaning in their lives through their choices, even if they cannot discover any external sources of meaning in the world around them. So where does Meursault fit in? First of all, it's interesting that the book is written entirely in the first person; one never escapes the subjectivity of the character's lived experience. He drifts through life, finding nothing in it that either pleases or disturbs him to any great extent: not the death of his mother, not his manipulation by a pimp, not his fiancée's love. He hasn't invested any of these events with personal meaning. While it's not clear why he shoots the Arab, once in prison he starts to come alive. Interestingly, during his time in a concentration camp, Sartre wrote that one is freest under the most extreme duress, and when every choice carries immense consequences. In any case, he begins to defend himself by claiming that he's being tried, not for murder, but for indifference to the world. Suddenly, these non-events take on enormous significance for Meursault, culminating in his rejection of God during the priest's visitation and his monologue at the very end of the book. An interesting question is whether Meursault is a kind of Dostoevskiian 'Last Man', or a Lermontov-esque 'Hero of our Time'. Is he to be vilified, or is he any different from any one of us? I think Camus provides an answer in the character of Bernard Rieux from The Plague, but it's still open to interpretation.
Quote:
Originally Posted by
Fuuma 
He can just read "le mythe de Sisyphe" if he wants some background info. The key is to see the main character as positive.
As an initiate to Camus, I found the myth of Sisyphus to be more confusing than helpful. I now understand that much of my incomprehension was due to a lack of background knowledge in philosophy at the time. I don't think it's the best study guide to his thought for a beginner, tbh.